Ninja Association .swf. Courtesy of Chuck Berry Today the true father of rock ‘n’ roll, Mr. Descargar Norton Ghost Gratis En Espanol Para Windows 7 more. Chuck Berry, turns 90. “Elvis Presley ain’t got no soul,” the man once known as Mos Def proclaimed on his 1999 album Black On Both Sides. “Chuck Berry is rock and roll. You can dig on the Rolling Stones, but they ain’t come up with that style on they own.” Even with all the love for Elvis and the Stones, you cannot deny where rock ‘n roll began.

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In fact, in the May 26, 2016 edition of The New York Times Magazine, music journalist Chuck Klosterman projected that Chuck Berry will be canonized as the embodiment of rock ‘n roll 300 years from now when historians look back on the 20th century. “Let’s assume all the individual components of rock shatter and dissolve, leaving behind a hazy residue that categorizes rock ’n’ roll as a collection of memorable tropes,”.

“If this transpires, historians will reconstitute the genre like a puzzle. They will look at those tropes as a suit and try to decide who fits that suit best.

And that theoretical suit was tailored for Chuck Berry’s body.”. Like Tony Bennett who also turned 90 this year, Berry continues to play shows and stay active in the scene he birthed.

But it is indeed shocking that, as a recent story in pointed out, this landmark birthday is being met with very minimal celebration—a shock considering every single one of the acts featured in the recent would not sound the way they do without the moves made by Chuck in the 1950s and ’60s. In celebration of this once-in-a-lifetime event for this legitimate national treasure, the Observer has put together a buyer’s guide for you to score the best Chuck for your buck if you are looking to take yourself to school on this man and his contributions to pop music, replete with to serve as your soundtrack. (1957) Chuck Berry might have broken out at rock ‘n roll’s birth with “Maybelline” in 1955. But it took two years for his debut LP to hit the record sections of family department stores across the USA. However, After School Session surely seemed well worth the wait.

Berry and his supergroup of Chess session masters including his longtime piano player Johnnie Johnson, the great Willie Dixon on upright bass and Little Walter drummer Fred Below indeed took their competition to school. By redirecting their collective chops on the Chicago blues circuit to American malt shops, Berry translated the infectious energy of his live performances to wax without losing an ounce of their street heat, evidenced on the slow blues of “Wee Wee Hours” and, of course, one of the great anthems of restless youth “School Days” with its immortal decree of “Hail, Hail rock ‘n roll!” (1959) Released in 1959, Berry’s third record is so packed with smash singles you might mistake it for a greatest hits package, as some have in the past: “Carol”, “Maybellene”, “Johnny B. Goode”, “Little Queenie”, “Roll Over Beethoven” and more of Berry’s best songs are all here. But Chuck Berry Is on Top, no doubt put together as a means to get all of Chuck’s hit singles from the ’50s in one place, is constructed so fluidly by producers Leonard and Phil Chess you’d think they were all cut during the same session. Chuck Berry is on Top is not only Berry’s single best album, it was also one of the key components to the blueprints for the coming British Invasion in the early ’60s that would take his legend to the stratosphere.

(1964) By 1964, the Beatles, the Stones, the Yardbirds, the Small Faces and the Kinks all took the lessons they learned from After School Session and Berry Is On Top, and injected them with a frenetic, electric shot of savage youth. Louis to Liverpool, Berry invaded the Invasion.